As a pianist I look back on a musical journey through the last 45 years (Rock,Blues,Gospel,Classics). After life's inevitable blows I finally stopped running (Forrest Gump), listen to universal structures and compose music to let you sail away and relax with soulful sounds that allow for mental journeys within a musical universe with no boundaries.
Review of my first CD "Dance To The Mystic":
'I am really inspired by listening to the tracks. They are extremely beautiful, with a deep meaningful voice in the notes.'(Halima Malik, Deputy Editor,Yoga Magazine/Mind,Body,Spirit)

Klaus Sander

As a pianist I look back on a musical journey of Rock,Blues,Gospel and Classic. After life's inevitable blows I finally stopped running (Forrest Gump), listen to universal structures and compose music to let you sail away and relax with soulful sounds that reach deep inside of you and allow for mental journeys within a musical universe with no boundaries. The music caresses your soul and sets free spirit and emotions.

Comments

Hi Klaus Sander,
I recently listened to your track "Morning Flight" and spent some time listening. The production and overall feelings really stood out to me, it has a clear direction and does not feel like a casual release. The arrangement and sound choice especially give it a strong, placement ready vibe.
Just wanted to reach out and say you're building something solid here. Always good to see intentional work on Broadjam.
Are you currently focusing more on sync opportunities, streaming growth, or just creating freely at the moment?

2 Replies
 
Klaus Sander
4 days ago

Thanks for being interested. As a baby-boomer I am dedicated to compose in the hands-on-style when growing up instead of today's computerized mediocre music scene. I do not use regurgitated AI material and just released my first album:
Album One:
Spotify URL
https://open.spotify.com/album/6rOr teESdrAQqChUItlJ0S
iTunes
http://itunes.apple.com/album/id1856796879?ls=1&app=itunes 1

Hi Klaus,

First of all, congratulations on releasing your first album. That's no small milestone, especially doing it your way and staying true to your craft. I genuinely respect that.
And I completely understand what you mean about hands-on composition. There's a depth and intention in music written that way that simply can't be replicated by templates or trend-driven production. That authenticity is actually a strength, especially in sync.
To be honest, the kind of music supervisors and ad agencies I work around are often looking for exactly that: real compositions with character, not algorithmic background noise.
Now that the album is out, the important question becomes positioning. Not changing your sound, but making sure it's presented in a way that opens doors to film, TV, ad placements, and curated playlists that value instrumental craftsmanship.

If you're open to it, I do be happy to take a proper listen through the album and give you a brief, honest assessment of:

Which tracks are strongest for sync opportunities,
Where they could realistically fit "film, documentary, brand spots, etc.
What small adjustments (if any) would increase licensing potential
And a clear strategy to move it from release to placement, by helping you pitch supervisors strategically the way that work

No fluff. Just a focused plan tailored to your work.
If that sounds interesting, let me know and I'll outline how I typically structure this so you can see if it makes sense for you.

Best,
Patrick



Author
Barry Thompson
over 30 days ago to Klaus Sander

Thank you for the review of my Suzie Make A Choice... I listened and "starred" your Broken Heart Song and There Are Times... very nice stuff, elegant performances.



Author
Kate Carpenter
over 30 days ago to Klaus Sander

OOPS sorry for the incomplete review, Klaus. I forgot the numbers!



Clean Clean

Clean Clean

Artist Name
00:00 / 00:00